Another two days of productive activity sees me closer to the final edit that I hope will be about 12. It has been an interesting journey printing negatives made over an extended period. The oldest negative date from about 1992, the newest this year. In the next few days I shall begin the laborious task… Continue reading Counting down the days
This thoughtful writeup of one of my favourite photobooks is pertinent as I prepare for the upcoming exhibit I am participating in that has been organised by Gary.
Copyright of the artists, George Eastman House and Center for Creative Photograph 2009 courtesy Steidl
In 1975 at the George Eastman House an exhibition was curated by William Jenkins, assisted by Joe Deal, on what was then evolving as the new (urban) landscape photograph, titled New Topographics; Photographs of a Man-Altered Landscape. You could argue that what now remains is history. Okay, but why?
The 1975 exhibition was in Rochester, NY, which would seem off the beaten photographic path to have become such an influential exhibition. But it could be argued that thirty-five years ago, fine art photography was a much different place, with very few venues for exhibition, and just as few schools which taught fine art photography. The world of fine art photography was a much smaller place, as elegantly explained by Britt Salvesen in this retrospective book’s foreword. Salvesen provides a wonderful external content and historical perspective to this landmark exhibition…
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As an educator I often refer my students to glossaries of terms. Photography as a skill and craft is peppered with unfamiliar terms, I wrote one such glossary for our student’s use. This week I uncovered another useful one, from the University of Chicago. Its focus is on ‘Theories of Media‘ but of course photography figures largely… Continue reading Glossaries?
I recently discover this gem of a website called Photographic Memorabilia. A great source of information an many things, Ilford and photographic.
I spent the better part of this weekend indoors processing film, and making contact sheets and prints. The prints are for an upcoming exhibition, I’m about 1/2 way through printing them all. They still need washing and toning. I’m allowing 4 days of solid work for that. Hopefully no reprints will be need to be… Continue reading How to survive Melbourne’s mad weather?
The cheap lens on this camera really lets this shot down #chromatic #aberrations